Even after making his break as an author, marrying the person he loves, and becoming a father, Itsuki Hashima has not changed and continues his regular routine of writing novels. But how about Chihiro,...
The immense success of "The 900 Number" landed The 45 King a production deal and long-term contract. Besides crafting a wide array of beats and hip-hop breaks on vinyl series like The Lost Breakbeats, Break Mania, and Straight Out Da Crate, he also kept repping his crew The Flavor Unit:
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Note: These break loops come from the original song and artists stated in the filenames. They are NOT recreations. If you are going to use these samples in your work other than personal use, you may need to get these samples cleared. Use your own discretion when using these particular loops in your work.
The DNA of trip-hop was more complex than its reduction to bite-sized adjectives. One strand came from hip-hop, which had fed the musical imagination of a new generation for over a decade, while another strand came from rave, which had provided further stylistic possibilities with its fusion of drum machines, breaks, samples and synthesisers. Sound systems, digging, dub, chill-out rooms, early globalisation and technology also acted like so many molecules attaching themselves to a new idea of what hip-hop could be. Trip-hop was a logical evolution in a decade during which everyone came down from a partying high to face the reality that hip-hop and dance music were being co-opted by the mainstream; dreams of a new sonic utopia crushed by the relentless onslaught of capitalism.
It might be a stretch to classify Tipsy as trip-hop, but the Californian duo of Tim Digulla and David Gardner certainly used many of the same tools as their European peers. Pillaging loops from a wide variety of lounge and exotica records, Digulla and Gardner came up with a dusty, defiant and undoubtedly downbeat look at sound collage. Since it veered away from obvious breaks and beats, Trip Tease actually holds up markedly better than some other records of the era, and ends up sounding closer in style to David Holmes, with a smoky, cinematic quality.
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